Musicke Of Sundrie Kindes

The Consort Of Musicke

1976, Renaissance,Baroque

.Ars Perfecta (An Internationally Unified Language C. 1500) / .Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés / A1.Pater Noster / A2a.Ich Draghe De Mütse Clütse / A2b.La La Hö Hö / A2c.Mijn Morken Gaf / A3.Pour Ung Jamais / A4a.Je Ne Fay / A4b.Mille Regretz / A5.Caeciliam Cantate / .The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style) / .Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music / B1a.Tastar De Corde / Recercar / B1b.Calata / B1c.Ave Maria / B2a.Ostinato Vo' Seguire / B2b.Suite Regina / B2c.Chui Dicese E Non L'amare / B2d.Pavana Venetiana / B2e.Se Mai Per Maraveglia / B2f.Suite Ferrarese / B2g.Hor Che'l Ciel E La Terra / B3a.Palle, Palle / B3b.Ne Più Bella Di Queste / B3c.Quis Dabit Pacem / .Les Cris De Paris (One Hundred Years Of French Musical Fashion) / .Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety / C1a.Virgo Celesti / C1b.Belle, Tenés Moy / La Triquotée / C1c.Celle Qui M'a Demandé / C1d.La, La, La, L'Oysillon Du Bois / C2a.Las, Je M'y Plains / C2b.Content Désir / C2c.Content Désir Basse Danse / C3.Les Cris De Paris / C4.Hélas, Hélas, Que De Mal / C5a.Fière Cruelle / C5b.Fantasia / C5c.Mignonne Allons / C5d.Las, Je N'eusse / C5e.Prince La France Te Veut / .Fa La Li Le La / .The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century / D1a.Sentomi La Formicula / D1b.Quando La Sera / D2a.Pavana De La Mortè De La Ragione / D2b.L'e Pur Morto Feragù / D2c.Saltarello De La Morte De La Ragione / D3a.La Bella Franceschina / D3b.Girometta / D4a.Pavana El Todescho / D4b.Mi Stare Pone Totesche / D4c.Matona Mia Cara / D5a.Passamezzo Commun / D5b.Recercada / D5c.Padoana Commun / D6.Cathalina, Apra Finestra / .Quodlibet / .Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century / .Germany: / E1a.Christ Der Ist Erstanden / E1b.O Rosa Bella / Hastu Mir / E1c.Der Ratten Schwanz / E1d.Die Katzenpföte / E1e.Elslein, Liebstes Elselein / E2a.Bruder Konrad / E2b.Nach Willen Dein / E2c.Vitrum Nostrum Gloriosum / .Spain: / E3a.La Spagna / E3b.Adoramos Te, Señor / E4a.Fantasia / E4b.Dulces Exuviae / E5a.E Qui La Dira / E5b.Doulce Memoire / E5c.Lindos Ojos Aveys, Señora / .Per Cantare E Sonare / .The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved / F1a.Recercare A 4 / F1b.Madonna, Qual Certezza / F2a.Ricercare A 3 / F2b.De La Belle Contrade / F3a.Canzona Francese / F3b.Occhi Lucenti / F4a.Canzona Francese / F4b.O Voi Che Sospirate / F5a.Canzona Francese / F5b.Mille Volte Il Dio Moro / F6.Sanctus Dominus Deus / .The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620) / .Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent / G1a.Thatt Was My Woo / G1b.I Love, Loved / G2a.In Nomine / G2b.Blame Not My Lute / G2c.Lady WynkFyldes Rownde / G2d.Where Griping Griefs / G3a.Shooting Of The Guns Pavan / G3b.Wand'ring In This Place / G3c.Dolorosa Pavan / G4a.Now Each Flowery Bank / G4b.The Leaves Be Greene / G4c.Le Rossignol / G4d.Musick And Mirth / .The Wind Of Change (The Changes Which Led European Society Into A New Age) / .They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe / H1.La Brillantina / H2.Sta Notte / H3.Sonata / H4.Nerinda Bella / H5.Toccata / H6.Lamento D'Olimpia / H7.Thus Sang Orpheus

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